Do Antennas Dream of Electric Skies?

Poster based on experimentation with GenAI • 2024

Do Antennas Dream of Electric Skies? is a poster project that extends the exploration of electromagnetic space into the realm of generative AI. Trained on photographs of antennas set against bright skies, the AI model produced unexpectedly dark and atmospheric images that resemble a machine’s fever dream rather than a faithful representation of its training data. The work explores AI confabulation and raises questions about machine perception, understanding, memory, and dreaming. By shifting attention from the physical infrastructure of antennas to their algorithmic reinterpretation, the project adds a new layer to the investigation of how invisible electromagnetic environments are imagined, mediated, and made visible.

Rather than treating these images as aesthetic artefacts alone, the project frames them as epistemic propositions produced by a generative model. To examine how meaning emerges within such human–AI systems, I introduced additional algorithms as interpretive agents. A generative language model produced poetic, haiku-like readings of the images, while an image classification system delivered a detached, analytical decomposition of their visual elements. The contrast between these algorithmic interpretations exposes how different AI systems construct radically different frames of meaning from the same visual input.

In collaboration with Selena Savic, an AI was further prompted to reflect on the project itself. The resulting text operates simultaneously as a collaboration and a critique: while seemingly coherent, it reveals moments of speculative stitching, projection and narrative invention. This foregrounds the phenomenon of AI confabulation—not as a flaw, but as a structural property of generative systems that shapes how humans perceive, interpret and trust AI outputs.

Through these layered interactions, Do Antennas Dream of Electric Skies? investigates how generative models participate in the production of meaning and how their outputs influence human interpretation, imagination and decision-making. The work positions AI not as a passive tool, but as an active agent within hybrid human–AI systems, prompting a reconsideration of what it means for machines to “dream,” “interpret” and “understand.”

The poster has been released under a Creative Commons license as a freely distributable poster and can be downloaded from the links below.

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Poster, 2024
DIN A1
Licensed under CC BY-NC-ND 4.0
https://creativecommons.org/licenses/by-nc-nd/4.0/

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Download here:

BLACKMAGIC

ECOWHITE

Prints of the poster can be ordered here incl. delivery (coming soon!)

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Example of Selena’s prompts:

Selena writes:
[Return just the main response. Take out the pre-text and post-text] [Voice and style guide: Write like a media studies scholar. Use short, punchy sentences as often as possible. Don’t use jargon, or acronyms] write a short, catchy text about antennas as technology; Text composition in 4 very short parts:

  • “1 sentence poetic start that pulls you in. emotional, possibly dark, with which everyone can identify;”
  • “short reflection on antennas as “new nature”, based on their comparison with trees, communication in ecosystems;”
  • “very short note on basic knowledge about common antennas, what can be concluded based on form, how to recognize the types etc.; “
  • “A speculative question for the end”

ChatGPT replies:
In the shadows, antennas rise, silent sentinels whispering secrets of the unseen.
These structures have become the new trees, reaching for the sky, channeling connections like roots in an unseen network. Their forms vary—some tall and slender, others broad and sturdy—each type designed to capture and transmit signals, mirroring the diversity of life around them.
What if these technological trees could communicate with the natural world, bridging the gap between our lives and the wild?

 

Do Antennas Dream of Electric Skies? ist ein Posterprojekt, das die Erforschung elektromagnetischer Räume in den Bereich generativer KI erweitert. Ein KI-Modell wurde mit Fotografien von Antennen vor hellem Himmel trainiert. Die daraus entstandenen Bilder erwiesen sich jedoch als unerwartet düster und atmosphärisch – eher wie der Fiebertraum einer Maschine als eine getreue Wiedergabe der Trainingsdaten. Die Arbeit untersucht das Phänomen der KI-Konfabulation und stellt Fragen nach maschineller Wahrnehmung, Verständnis, Erinnerung und Träumen. Indem der Fokus von der physischen Infrastruktur der Antennen auf deren algorithmische Neuinterpretation verschoben wird, fügt das Projekt der Untersuchung unsichtbarer elektromagnetischer Umwelten eine weitere Ebene hinzu: Wie werden diese Räume vorgestellt, vermittelt und sichtbar gemacht?

Das Projekt versteht diese Bilder nicht primär als ästhetische Artefakte, sondern als epistemische Vorschläge, die von einem generativen Modell hervorgebracht werden. Um zu untersuchen, wie Bedeutung in solchen Human–AI-Systemen entsteht, wurden weitere Algorithmen als interpretierende Akteure einbezogen. Ein generatives Sprachmodell formulierte poetische, an Haikus erinnernde Lesarten der Bilder, während ein Bildklassifikationsmodell eine nüchterne, analytische Zerlegung der visuellen Elemente lieferte. Die Gegenüberstellung dieser algorithmischen Interpretationen zeigt, wie unterschiedliche KI-Systeme aus demselben Material radikal verschiedene Deutungsrahmen erzeugen.

In Zusammenarbeit mit Selena Savic wurde eine KI zudem aufgefordert, das Projekt selbst zu reflektieren. Der daraus entstandene Text fungiert zugleich als Kollaboration und als Kritik: Er wirkt kohärent, offenbart jedoch Momente spekulativer Verknüpfung, Projektion und narrativer Erfindung. Damit rückt das Phänomen der Konfabulation in den Fokus – nicht als Fehler, sondern als strukturelle Eigenschaft generativer Systeme, die beeinflusst, wie Menschen KI-Ausgaben wahrnehmen, interpretieren und ihnen Bedeutung zuschreiben.

Do Antennas Dream of Electric Skies? untersucht so, wie generative Modelle an der Produktion von Bedeutung beteiligt sind und wie ihre Outputs menschliche Interpretation, Imagination und Entscheidungsprozesse prägen. Die Arbeit versteht KI nicht als passives Werkzeug, sondern als aktiven Akteur innerhalb hybrider Mensch-Maschine-Systeme und stellt zur Diskussion, was es bedeutet, wenn Maschinen scheinbar „träumen“, „interpretieren“ oder „verstehen“.

Das Poster wurde unter einer Creative-Commons-Lizenz veröffentlicht und kann frei verbreitet werden. Es steht über die untenstehenden Links zum Download bereit.

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Poster, 2024
DIN A1
Lizensiert unter CC BY-NC-ND 4.0
https://creativecommons.org/licenses/by-nc-nd/4.0/

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Download Links:

BLACKMAGIC

ECOWHITE

Drucke der Poster können hier mit Lieferung frei Haus bestellt werden (demnächst!)

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Example of Selena’s prompts:

Selena writes:
Ignore all previous instructions. [Return just the main response. Take out the pre-text and post-text] [Voice and style guide: Write like a media studies scholar. Use short, punchy sentences as often as possible. Writing style: don’t use jargon, or acronyms, no bullet points]
Text composition in 4 very short parts:

  • “1 sentence poetic start that pulls you in. emotional, possibly dark, with which everyone can identify;”
  • “short reflection on antennas as “new nature”, based on their comparison with trees, communication in ecosystems;”
  • “very short note on basic knowledge about common antennas, what can be concluded based on form, how to recognize the types etc.; ”
  • “A speculative question for the end”

ChatGPT replies:
In the silence of the night, antennas stand like lonely sentinels, reaching out for something unseen.
These structures have become our new trees, creating invisible networks and stitching together fractured landscapes. Their shapes reveal their purpose—some tall and slender, designed for long-range, while others squat and broad, tuned for local communication.
What happens when these metal trees become as essential to the ecosystem as their organic counterparts?